This is the watchtower that functions as a lighthouse during the night. The girl and one-eyed creatures spectate carnivorous monsters from invading the borderline. After finishing her daily report, she regularly has afternoon tea time with others.
This is a fish tank on the lighthouse's first floor. It is an interior decoration and a healing pool for wounded one-eyed creatures.
This is the props design for the world-building consisting of Victorian-style objects with an eyeball motif. The color palette is cool blue, purple, and pink with yellow in gold highlights.
The leftmost side of the image portrays a person riding a bike, and three evil spirits are disturbing the rider by covering her eyes. The two winged figures in front of the bicycle are angels, attempting to prevent a bike accident caused by evil spirits. One of the evil spirits on the back of the bike is holding Jesus Christ's head in mockery, and another is dragging an angel, which is an insult to God and his servants. In the middle of the image, there are two angels turning dark into evil spirits, and the man sitting on the chair represents lust and greed from the human world. There is a group of dark silhouettes holding a cross in front of the man; they are believers of Christ, trying to stop more people from sinning. The red fruits on the tree symbolize monitored privacy in the 21st century in relation to social media and online information access. Above the man, there are ambiguous figures on the cloud, and the light is shining through the dark sky, which portrays heaven and God's spirits watching over the human world. The rightmost side of the image reveals an angel holding a crystal ball to the multi-headed figure, which indicates the weakness of humans trying to depend on superstition and the prediction of the unexpected future. Behind the red curtain, the devil is laughing at vulnerable people straying away from God. The laughing figures with black and red colors are also part of the evil spirits. The faces embedded on the pink surface are the doubts of people questioning their faith and future.
The drawing begins with the knight proclaiming his royalty to his master, and the Cupids are watching them, trying to interfere with their relationship. Next, there are giant statues of Adam and Eve in the distance, representing the knight who proclaimed his royalty to the master had left the master and found a new subject to be royal. In front, Cupids are harassing a naked woman, trying to grab her feet and pull her hair. Proceeding to the right, a man is in a blindfold and a female devil is trying to lure him into temptation and sin. On the dark tree, Salvador Dali's melting clocks are placed on the branches, which represent the subjectivity of time, that all of this process can repeat throughout our lifetime. Moving rightward, a person is sitting on the devil, and underneath them, the sign "one way" indicates there is only one way to be rescued from this endless cycle of sin, repenting of sins to Jesus Christ. The last image there is an angel crying and eating pomagrante, which represents human nature of sinning again despite repenting. She is on the chessboard, and it implies that there are many things to sacrifice in our lives to achieve victory. The two figures behind the angel are the good and evil sides of the human, adding complexities in our choices.
